대부분의 사람은 고정된 시선으로 사물을 보고 그것은 프레임에 갇히게 된다.
이때 후설의 현상학은 순수한 기억을 통해 사물의 본질을 직관하고자 했다.
WHITESPACE 도 그 점과 닮아있다.
주된 배경인 밤과 어둠은 피사체가 가진 이름을 지우는 가장 좋은 失名[실명]의 수단이다.
작가는 정보가 배제된 시·공간에서 카메라를 들고 다시 프레임에 가두는 아이러니함을 보이지만 이는 또한 본질을 찾는 일련의 과정이다.
2017년 말 이사 온 낯선 지역에서 시작된 무지로부터의 촬영은 역사적, 실존적 정보를 배제하고 모든 전제를 무너뜨리는 판단중지(에포케)의 과정을 걸친다.
알고 있는 정보를 지우면서 피사체에 괄호를 치고 바라보며 어두운 거리, 드물게 보이는 빛, 고요함을 카메라에 담고 본질에 이르는 현상학적 환원을 이룬다.⠀
렌즈를 통해 본 모습과 우연적인 상황을 되짚어 그린 지도는 재이미지화를 통한 본질을 파악하는 방법의 하나로 보편적인 본질을 찾고자 한다.
눈에 보이지 않는 WHITESPACE. 눈에 인식되고, 밤의 풍경이지만 낮이 생각나는 건 규정된 정보를 지운 고요함 속에서 피사체만을 향한 작품 덕분이다.
- 박단비
Most people look at things with fixed view and it gets trapped in the frame.
At this time, the Phenomenology of Edmund Husserl tried to grasp the essence of things through pure memories.
WHITESPACE is similar to that.
Night and darkness, the main background, are the best means of removing the names of the subjects.
This artist shows the irony of holding a camera and containing it back in the frame in a time and space where information is excluded, but this is also a series of processes to find the essence.
Filming from ignorance, which began in late 2017 in a strange area that moved in, goes through a process of the epoché that excludes historical and existential information and all premises.
Staring at the subject with parentheses while erasing the known information, it forms the phenomenological reduction that captures dark streets, rare light and stillness into the camera and reaches the essence.⠀
A map that recounts what one sees through a lens and what is accidental is that one of the ways to grasp the essence through reimagination is to find the universal essence.
Invisible WHITESPACE. It's a scene of night, but the reason why I reminded of the daytime is because of artwork towards the subjects only in the stillness that erased the prescribed information.
At this time, the Phenomenology of Edmund Husserl tried to grasp the essence of things through pure memories.
WHITESPACE is similar to that.
Night and darkness, the main background, are the best means of removing the names of the subjects.
This artist shows the irony of holding a camera and containing it back in the frame in a time and space where information is excluded, but this is also a series of processes to find the essence.
Filming from ignorance, which began in late 2017 in a strange area that moved in, goes through a process of the epoché that excludes historical and existential information and all premises.
Staring at the subject with parentheses while erasing the known information, it forms the phenomenological reduction that captures dark streets, rare light and stillness into the camera and reaches the essence.⠀
A map that recounts what one sees through a lens and what is accidental is that one of the ways to grasp the essence through reimagination is to find the universal essence.
Invisible WHITESPACE. It's a scene of night, but the reason why I reminded of the daytime is because of artwork towards the subjects only in the stillness that erased the prescribed information.
- Dahn-bi, Park